Single Reviews – Week of 12/08/2023
Miss Summer – Redferrin Written By Cam Greene
Redferrin is no stranger to bending the rules of what most consider country music. In his usual way, “Miss Summer” is a pop-infused song with a background hip hop beat. That being said, it doesn’t feel original at all. There’s no doubt this song has its moments; it’s enjoyable if you’re into pop country, but it’s a complete rip-off of Morgan Wallen’s southern flow. “Miss Summer” sounds like a mixture of “7 Summers” and “Last Night,” which could make it a great song on paper, but the flagrant attempts to sound like country music’s dominant star of the moment are offputting at best. Lyrically and vocally, it’s an alright song, and probably the best vocals we’ve ever gotten from Redferrin. Still, instrumentally, the weird collage of trap and country just doesn’t come out right. Redferrin still has a ways to go in finding his own niche rather than playing copycat.
5.7
The Moon – Meg McRee, Hillary Lindsey & Lori McKenna Written By Cam Greene
“The Moon” by Meg McRee, Hillary Lindsey, and Lori McKenna is a standout ballad about a lover gifting the narrator the metaphorical moon, blinding them to a relationship’s darker side. It’s a perfect metaphor for toxic love, and terrific delivery of these lyrics by McRee accompanied by superstar writers Hillary Lindsay and Lori McKenna. It transcends the realm of a typical heartbreak ballad by artfully considering our protagonist’s unawareness of the pain of a breakup. The lone acoustic guitar tugs at the heartstrings and McRee’s vulnerable voice displays the sounds of someone who’s been broken down. It’s undoubtedly one of the most beautiful tracks we’ve been gifted this year, and there’s almost nothing to knock.
9.8
When a Cowboy Cries – Dillon Carmichael Written By Will Chapman
Dillon Carmichael delivers another traditional ballad with “When a Cowboy Cries.” Country songs and cowboys are a tale as old as time, and this track, written by Carmichael, Rob Williford, and Shane Minor, the age-old notion that cowboys never shed tears is cleverly addressed; it explores masculinity in a vulnerable way that most cowboy songs don’t. The production keeps “When a Cowboy Cries” right on pace with that lonesome feeling that Dillon is singing about in this song. Carmichael’s commanding baritone steals the show on this acoustic track, coming together for an excellent performance. His take on classic country music themes is satisfyingly original, and with a great voice to match, Dillon almost always turns in a finished product that resonates deeply.
8.1
We Should Get a Drink Sometime – Michael Ray Written By Creed Miller
Michael Ray gets vulnerable by reminiscing on past relationships with his latest single. A situation that can raise so many different emotions, “We Should Get a Drink Sometime” is exactly as it sounds; the story’s protagonist coincidentally runs into his old flame and suggests that they get a drink and catch up. The star-studded cast of writers included Thomas Rhett, Rhett Akins, busbee, and Josh Kerr. Even though Ray is no stranger to the cliches in the song, many would have hoped that this accomplished bunch of writers were past that point in their careers. The production aptly matches the song’s essence, though regrettably, they’re both fairly boring. The only notable instrument involved is the piano, to match the sad and emotional tone. Overall, the track may be conceptually relatable to many in terms of running into an ex and being overcome by emotion, but this should shield it from the obvious void of wit or substance. If this song disappeared tomorrow, few would likely miss it.
4.7
Wanderlust – Kade Hoffman Written By Creed Miller
Kade Hoffman channels his inner Colter Wall for his new single “Wanderlust.” This song is only his third single to date, but the Colorado native is already starting to catch the attention of country fans. He displays an authentic mix of outlaw and Appalachian style evoking shades of Colter Wall or Charles Wesley Godwin. The song delves into a powerful yearning for escape, as its central character finds herself stuck in a desperate cycle in the city, unable to pursue her dreams. At this stage in Hoffman’s career, it’s just him and his guitar which fits his charming vibe very well. However, though the song is unpolished and rootsy, it’s not imminently great. Yet, as a good song, it’s a commendable step, especially considering this early phase of Hoffman’s career. Kade Hoffman is off to a strong start to his career and his latest single will certainly move him forward on his quest for indie-country acclaim.
7.6
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